The story itself is simple - about a man's longing for acceptance by society for who he is, more importantly by his airs-and-graces middle-classs mother - she is even embarrassed to tell anyone what her son Hans does for a living - a street hawker selling fruits. The condescension heaped upon him by all around only add to his insecurities, to the point of despair, and eventual depression.
I agree this all sounds horrible, but Fassbinder succeeds in forcing us to look at the protagonist's anguish objectively rather than emotionally, by creating a disassociation between Hans and the audience. He achieves this by making his cast give toned-down, almost wooden performances, that we never get to connect with, and end up watching their plight in a detached manner. His theory, I presume, is that while it is important to get to see someone from their perspective, it is also important to know how a detached world would view their circumstances. The family members, baring Hans' sister Anna, also prescribe to the same viewpoint.
Technically, it is splendid - for such a prolific film maker (Fassbinder made forty three full-length films in a career spanning just fifteen years, no mean achievement), to pay so much attention to detail - set arrangement, angles, lighting, composition, and even the editing, in addition to writing it in the first place, is simply mind-boggling. Here was one man possessed, it's as if Fassbinder foresaw his own early death, and wanted to bequeath as many unique works to humanity as possible before then. To surmise, if you want to watch something challenging and unique, and love cinema, you should give this a try - just allow enough time to let it sink in. Highly Recommended Viewing..!
The Arrow Films DVD from which this compilation was made, came with an excellent quality transfer, and also includes goodies like fascinating and revealing interviews from the actresses in this film - held 10 years after Fassbinder's death, and also a feature-length retrospective of Fassbinder's filmography. Great value for money.
Compilation 1: Irm Hermann
A lot of the characters in the film have the same name as the actors playing them. Hans' wife Irmgard is played by Fassbinder regular and real-life lover, Irm Hermann.
- No nudity - Irmgard objects to Hans delivering fruits to the lady living upstairs - she knows that that woman was after all the greatest love of his life.
- No nudity - marital disharmony when a visibly drunk Hans arrives late and beats up an annoyed Irmgard - but it is shot in a comical manner.
- Irmgard decides to have a naughty fling with a stranger as revenge for her husband's mistreatment. But little Renate catches mum in the act, and Irmgard doesn't know where to hide.
- The only scene where the couple display any sign of real affection towards one other.
Compilation 2: Ingrid Caven
Fassbinder cast his then wife Ingrid Caven in the role of Hans' love interest. Even after refusing to marry Hans, citing his lowly job as the reason, she continues to have the occasional sexual rendezvous.
- A confused Hans takes a long walk and ends up in Ingrid's apartment. She quickly undresses and asks him to do the same as she wants them to be finished before her husband returns from work, which only puts him off the very idea.
- Brief downblouse scene from Elga Sorbas who plays prostitute Marile. This was also how Hans lost his job as a policeman. Rounded up for routine questioning, Marile tries to win Hans' favour by volunteering some 'head', only to be caught red-handed by the Head constable himself!